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16-bit pixel art of two characters standing on opposite sides of a glowing arcade cabinet on a city rooftop at dusk, warm amber light on the left and cool blue light on the right
·7 min read

AI isn't coming for your job, the other department is.

Designers are using AI to code, developers are using AI to design, and both groups are pissed when the other side celebrates it. Everyone keeps framing this as "AI vs. creatives" or "AI vs. developers." The real fight is creatives vs. developers, and they're both using AI against one other.

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16-bit pixel art of a small figure on a hilltop overlooking a city at twilight, where cold blue geometric sky with faint constellation lines meets warm golden sunset

The still life and the soul.

·10 min read

A video game from 2018 predicted exactly where we are with AI art. Through two real Midjourney projects and a header image that neither me nor Claude could have made alone, I explore what creative direction means when the still life paints itself.

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16-bit pixel art of a small figure overlooking a vast thriving world with modern architecture and lush vegetation

Building a design system as a team of one.

·8 min read

Everything built with AI is starting to look the same. I built my own design system from scratch so Claude Code pulls from my decisions, not everyone else's defaults.

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16-bit pixel art of two small figures on a platform looking out at a vast Pacific Northwest landscape with a glowing beam of light

How I built my new portfolio with AI.

·8 min read

I rebuilt my portfolio from the ground up using Figma, Claude.ai, and Claude Code. Here's what the workflow actually looked like, where AI helped, and where it took liberties it shouldn't have.

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16-bit pixel art of a small figure looking out at a Pacific Northwest cityscape through modern glass architecture

Fresh blog, who this?

·4 min read

If you work in creative or development, you've probably had the same thoughts I've had lately about AI. Here's why I'm writing about it.

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